I can't believe it took me 25 years to get to Yellowstone, but it finally happened just a couple of months ago. Wow, what a magical place. I was blown away by the diversity and beauty of the landscape. Some of the areas, especially the geysers, were truly otherworldly. I tried to take atypical photos while there, not wanting to replicate the obvious images that you could easily find via a Google search. I focused on color and texture. I think the most important thing you can do as a photographer is to show you how YOU see the world from your own unique perspective.
I've had this concept for a couple of years. It took the right group of people, the right location, and lots of preparation. Happy Valentine's Day everyone.
I went back to Moscow last June for the first time in 11 years. It was great to be back.
Needless to say, a lot has changed. Here are some fragments of my trip:
I've always been a creative person. It all started with music for me, that was my first love. Then I discovered and fell in love with design around the time I was attending college. Photography was part of the mix, but I didn't really devote all of my energy to it until after I was laid off from my job as a graphic designer at an advertising agency. Lots of people lost their jobs in 2010 when the economy tanked. I saw this as the perfect opportunity to really focus on photography and see if I can turn it into a living, a career. The first couple of years were devoted to just getting my feet wet and trying to learn what it takes to create a descent image that actually says something. I quickly realized that I wanted to stand out from other Utah photographers, especially in this day and age when so many people are trying to get into the business. To me, the way to do it is to create interesting visuals that tell a story. I wanted to make sure that I didn't go for the very first idea that popped into my head. I alway ask myself: "Has this been done? Is this cliché? Is this just a pretty picture?" It had to be more than that, it had to be different. Off course everything has been done, but could I put my own spin on it? Absolutely. So I worked hard on creating stories, coming up with concepts, location, interesting wardrobe, hair, makeup, etc. There are so many elements that go into making an impactful image, and you can really create multiple levels of viewership and different dimensions by combining those into one picture. I always ask myself: "Who is this character? What are they doing in this picture?" I want the viewer to feel like something has just happened or something is about to happen when they look at my work. I want to build a sense of anticipation and anxiety. I'm much more interested in raising questions than giving you the answers. After all, isn't that what art is all about?
- Phillip Istomin